Tuning In
Tuesday, September 23, 2008 Washington Times
Legacy explored
PBS' "American Masters" puts a spotlight on Hollywood history this week with an in-depth look at the Warner Bros. studio and its 85-year legacy.
"You Must Remember This: The Warner Bros. Story" (at 9 tonight through Thursday, WETA-Channel 26 and WMPT-Channel 22) offers a five-hour chronicle of the studio and its films. Oscar winner Clint Eastwood narrates tonight's opening installment, titled "You Ain't Heard Nothin' Yet (1923-35)," about the movie studio's first years, when its top star was a dog named Rin Tin Tin, and its gradual move into gritty fare.
In addition to "You Must Remember This," written and directed by Richard Schickel ("The Men Who Made the Movies"), PBS also will air Cass Warner Sperling's "The Brothers Warner" (10 p.m. Thursday), an intimate 90-minute look at the four brothers from Youngstown, Ohio.
Miss Sperling, granddaughter of Harry Warner, doesn't dwell on the brothers' origins, instead focusing on the studio they built and the clashes between figurehead Jack Warner and older brother Harry. Brother Albert — who was born in Baltimore — is the family peacekeeper, and Sam served as a producer on Warner Bros. films, including Al Jolson's "The Jazz Singer." Sam Warner was the first brother to die, at age 40, the day before the landmark film was released.
"I was fortunate enough to have my grandfather in my life for the first 10 years of my life," Miss Sperling told the Pittsburgh Post-Gazette.
• Compiled by Robyn-Denise Yourse from Web and wire reports
Showing posts with label warner brothers documentary. Show all posts
Showing posts with label warner brothers documentary. Show all posts
Friday, October 24, 2008
Saturday, October 11, 2008
Four young men who caught lightning in a bottle...
Film Review: The Brothers Warner (2008 Documentary)
Written by Gary Sweeney
If you could spend a day asking people what they thought when they heard “Warner Brothers”, you’re likely to get answers ranging from Bugs Bunny to Elmer Fudd. The WB logo has become synonymous with memorable personalities, unforgettable characters, and timeless films. What you’d be hard pressed to find, however, is someone who can name all four original brothers, or any of them for that matter. That’s exactly what Cass Warner, the granddaughter of Harry Warner, did as part of her new documentary, The Brothers Warner. In an almost comical fashion, she took to the streets with a microphone and questioned random strangers. The tongue-in-cheek approach was effective, yet a solemn reminder that few people of today understand the vision of those early film pioneers.
This 90-minute look at the humble beginnings of Warner Brothers gives new meaning to the word determination. Four brothers (Harry, Jack, Abe, and Sam) saw opportunity in the growing popularity of moving pictures. Their personalities, while very different, worked well in combining the various elements which would comprise their ultimate success. The film traces their childhood, upbringing and their ambition in a changing world through photographs and Cass Warner's heartfelt narration. Harry Warner's authentic love for his work is evident in the following quote: "It is not the challenge of dollars, it is the challenge of ideals and ideas. If the producers of pictures see only the dollar, I believe, those production efforts will fail". In those few words, he manages to capture the essence of every great classic released by the studio in its long history. The Brothers Warner is an intimate look at an empire, and four young men who caught lightning in a bottle.
Click here to purchase the documentary on DVD!
From: http://www.midnightpalace.com/index.php?option=com_content&task=view&id=199
Written by Gary Sweeney
If you could spend a day asking people what they thought when they heard “Warner Brothers”, you’re likely to get answers ranging from Bugs Bunny to Elmer Fudd. The WB logo has become synonymous with memorable personalities, unforgettable characters, and timeless films. What you’d be hard pressed to find, however, is someone who can name all four original brothers, or any of them for that matter. That’s exactly what Cass Warner, the granddaughter of Harry Warner, did as part of her new documentary, The Brothers Warner. In an almost comical fashion, she took to the streets with a microphone and questioned random strangers. The tongue-in-cheek approach was effective, yet a solemn reminder that few people of today understand the vision of those early film pioneers.
This 90-minute look at the humble beginnings of Warner Brothers gives new meaning to the word determination. Four brothers (Harry, Jack, Abe, and Sam) saw opportunity in the growing popularity of moving pictures. Their personalities, while very different, worked well in combining the various elements which would comprise their ultimate success. The film traces their childhood, upbringing and their ambition in a changing world through photographs and Cass Warner's heartfelt narration. Harry Warner's authentic love for his work is evident in the following quote: "It is not the challenge of dollars, it is the challenge of ideals and ideas. If the producers of pictures see only the dollar, I believe, those production efforts will fail". In those few words, he manages to capture the essence of every great classic released by the studio in its long history. The Brothers Warner is an intimate look at an empire, and four young men who caught lightning in a bottle.
Click here to purchase the documentary on DVD!
From: http://www.midnightpalace.com/index.php?option=com_content&task=view&id=199
Tuesday, September 30, 2008
An inside look into the Brothers Warner
By Ashlee Fairey
Sun Staff Writer
“The Brothers Warner,” a special presentation featured in the Aspen FilmFest, is a documentary portraying the four famous Warner brothers who founded the Warner Brothers Studio and transformed the silver screen.
It is about the “close-knit band of brothers (who) proved in their pioneering efforts to use mass media to ‘educate, entertain, and enlighten’ while being commercially successful.” The brothers’ motto echoes that of the Aspen FilmFest and can be seen as the embodiment of the festival’s ideals.
The film comes from a new voice: It is the first film by director Cass Warner, granddaughter of Harry Warner. As a child Cass Warner was very close to her grandfather. “He was a fine, kind human being,” she recalls. “He would come home with tales of behind of scenes.” These fantastic tales would create a lasting impression on the young, eager granddaughter.
When she reached her 20s, Warner realized those family legends were unrecorded and slowly slipping into murky memory. She took it upon herself to become the family archivist, a role that was essentially the first move towards the making of the movie. In 2003 she authored a book entitled “The Brothers Warner,” the namesake for the future film. The book was a rags-to-riches story that compiled the photographs and letters that Warner uncovered in her archival efforts.
Those same family archives were used in the film. The never-before-seen footage includes audio interviews with deceased family members, photographs and old home movies. These reveal, as Warner puts it, “guys who came from nothing, who never quit until they made their dream a reality. They made a fantastic team.” The director wanted the film to highlight their conscience, a rare virtue for filmmakers. Harry Warner once said, “It is not the challenge of dollars, it is the challenge of ideals and ideas. If the producers of pictures see only the dollar, I believe, those productions will fail.” They understood that “film is a powerful tool,” as his granddaughter says, and they used it wisely.
Considering director Cass Warner created a documentary on her own family, objectivity may seem an elusive outcome. But Warner describes herself as a fair person who concentrates on offering different points of view. She certainly basks her characters in a light of praise, but she feels the film also conveys character flaws. “I was raised on character-driven films,” Warner explains. “I want to know what makes them tic and why they do things.” The result: “a thorough, deep look at (the Warner brothers) as people.”
Directing a film about one’s own family can have great benefits as well. The making of “The Brothers Warner” was not only a journey through the lives of four extraordinary men, but became a self-exploration. “It helped me to understand my roots and myself,” she noted. “Through osmosis you get certain traits that you were witness to,” and through the camera lens Cass Warner was able to peer into a mirror. The road to the documentary’s creation was not smooth or speedy. “It has taken a long time to make. I have gambled everything,” the director said. The buzz of positive reviews, however, seems to have made it all worth while.
Cass Warner is also the niece of Lita Warner Heller, the honoree of a celebration dinner benefiting the Emerging Filmmaker Fund, and as Warner calls her, “a true lover of the arts.”
The showing of “The Brothers Warner” will be on Friday, Sept. 26, at 5:30 p.m. For tickets call 920-5770 or visit aspenshowtickets.com.
Sun Staff Writer
“The Brothers Warner,” a special presentation featured in the Aspen FilmFest, is a documentary portraying the four famous Warner brothers who founded the Warner Brothers Studio and transformed the silver screen.
It is about the “close-knit band of brothers (who) proved in their pioneering efforts to use mass media to ‘educate, entertain, and enlighten’ while being commercially successful.” The brothers’ motto echoes that of the Aspen FilmFest and can be seen as the embodiment of the festival’s ideals.
The film comes from a new voice: It is the first film by director Cass Warner, granddaughter of Harry Warner. As a child Cass Warner was very close to her grandfather. “He was a fine, kind human being,” she recalls. “He would come home with tales of behind of scenes.” These fantastic tales would create a lasting impression on the young, eager granddaughter.
When she reached her 20s, Warner realized those family legends were unrecorded and slowly slipping into murky memory. She took it upon herself to become the family archivist, a role that was essentially the first move towards the making of the movie. In 2003 she authored a book entitled “The Brothers Warner,” the namesake for the future film. The book was a rags-to-riches story that compiled the photographs and letters that Warner uncovered in her archival efforts.
Those same family archives were used in the film. The never-before-seen footage includes audio interviews with deceased family members, photographs and old home movies. These reveal, as Warner puts it, “guys who came from nothing, who never quit until they made their dream a reality. They made a fantastic team.” The director wanted the film to highlight their conscience, a rare virtue for filmmakers. Harry Warner once said, “It is not the challenge of dollars, it is the challenge of ideals and ideas. If the producers of pictures see only the dollar, I believe, those productions will fail.” They understood that “film is a powerful tool,” as his granddaughter says, and they used it wisely.
Considering director Cass Warner created a documentary on her own family, objectivity may seem an elusive outcome. But Warner describes herself as a fair person who concentrates on offering different points of view. She certainly basks her characters in a light of praise, but she feels the film also conveys character flaws. “I was raised on character-driven films,” Warner explains. “I want to know what makes them tic and why they do things.” The result: “a thorough, deep look at (the Warner brothers) as people.”
Directing a film about one’s own family can have great benefits as well. The making of “The Brothers Warner” was not only a journey through the lives of four extraordinary men, but became a self-exploration. “It helped me to understand my roots and myself,” she noted. “Through osmosis you get certain traits that you were witness to,” and through the camera lens Cass Warner was able to peer into a mirror. The road to the documentary’s creation was not smooth or speedy. “It has taken a long time to make. I have gambled everything,” the director said. The buzz of positive reviews, however, seems to have made it all worth while.
Cass Warner is also the niece of Lita Warner Heller, the honoree of a celebration dinner benefiting the Emerging Filmmaker Fund, and as Warner calls her, “a true lover of the arts.”
The showing of “The Brothers Warner” will be on Friday, Sept. 26, at 5:30 p.m. For tickets call 920-5770 or visit aspenshowtickets.com.
Friday, September 26, 2008
Cass saw the history of social activism that has run through her family.
Story,” into her first film, “The Brothers Warner.”
The movie shows today, at 5:30 p.m., at the Wheeler Opera House, as part of Aspen Filmfest, with Warner expected to attend. The screening will be followed by a dinner celebrating Aspenite Lita Warner Heller, a cousin of Cass’ who is featured in the film. Proceeds from the dinner will go to Aspen Film’s new Emerging Filmmakers Fund.
“Brothers Warner,” made through Cass Warner’s Warner Sisters company, plays partly as a personal reflection. Through home images and the memories of Warner and other family members, the film tells of the Polish-Canadian Jewish siblings who became fascinated with the emerging film technology and built a chain of theaters. It is another version of the American dream tale: immigrants taking extreme risks, dreaming big, and succeeding in expanding the business and artistic landscape.
“Being close to my grandfather, working to do something in his honor — that was a big purpose,” said Warner, whose late father, Milton Sperling, was a film producer and screenwriter. “I think it’s a great saga of family who had a dream and didn’t quit until they made it happen. You can’t quit if you have a dream, and every barrier is an incentive not to stop, to keep going.”
The documentary also works as a tale of ego and family strife. Jack Warner, the youngest of the studio founders, is recalled as a flamboyant figure, the brother most closely associated with the studio, and a back-stabber who acquired exclusive control in Warner Brothers after convincing his brothers to sell their stock in a sham business deal.
Cass Warner learned from this episode that film can be a potent tool not only for the viewer, but for the maker.
“He’s an interesting character,” she said of her great-uncle Jack, who died in 1978, “and I learned to love him as well as the rest of the family. I felt good about including him and forgiving him, rather than making him the enemy. I’ve always been interested in evaluating information for myself, to uncover who these characters were. Why they made these decisions was fascinating to me.
“Power is an interesting state of existence, and it’s a very delicate and potentially dangerous tool if you don’t know how to control it.”
Warner, the mother of four and grandmother of three, is intent on using her newfound power as a filmmaker. She has two projects in the works. “A Shade of Grey” she describes as a “To Kill a Mockingbird”-like story, seen through the eyes of two children. The project has several well-known actors attached to it whom Warner would not publicly identify. The other is “Dog Stories,” a four-person coming-of-age story which she might direct herself.
The documentary “The Brothers Warner” shows at 5:30 p.m. Friday at the Wheeler Opera House as part of Aspen Filmfest.
stewart@aspentimes.com
The movie shows today, at 5:30 p.m., at the Wheeler Opera House, as part of Aspen Filmfest, with Warner expected to attend. The screening will be followed by a dinner celebrating Aspenite Lita Warner Heller, a cousin of Cass’ who is featured in the film. Proceeds from the dinner will go to Aspen Film’s new Emerging Filmmakers Fund.
“Brothers Warner,” made through Cass Warner’s Warner Sisters company, plays partly as a personal reflection. Through home images and the memories of Warner and other family members, the film tells of the Polish-Canadian Jewish siblings who became fascinated with the emerging film technology and built a chain of theaters. It is another version of the American dream tale: immigrants taking extreme risks, dreaming big, and succeeding in expanding the business and artistic landscape.
“Being close to my grandfather, working to do something in his honor — that was a big purpose,” said Warner, whose late father, Milton Sperling, was a film producer and screenwriter. “I think it’s a great saga of family who had a dream and didn’t quit until they made it happen. You can’t quit if you have a dream, and every barrier is an incentive not to stop, to keep going.”
The documentary also works as a tale of ego and family strife. Jack Warner, the youngest of the studio founders, is recalled as a flamboyant figure, the brother most closely associated with the studio, and a back-stabber who acquired exclusive control in Warner Brothers after convincing his brothers to sell their stock in a sham business deal.
Cass Warner learned from this episode that film can be a potent tool not only for the viewer, but for the maker.
“He’s an interesting character,” she said of her great-uncle Jack, who died in 1978, “and I learned to love him as well as the rest of the family. I felt good about including him and forgiving him, rather than making him the enemy. I’ve always been interested in evaluating information for myself, to uncover who these characters were. Why they made these decisions was fascinating to me.
“Power is an interesting state of existence, and it’s a very delicate and potentially dangerous tool if you don’t know how to control it.”
Warner, the mother of four and grandmother of three, is intent on using her newfound power as a filmmaker. She has two projects in the works. “A Shade of Grey” she describes as a “To Kill a Mockingbird”-like story, seen through the eyes of two children. The project has several well-known actors attached to it whom Warner would not publicly identify. The other is “Dog Stories,” a four-person coming-of-age story which she might direct herself.
The documentary “The Brothers Warner” shows at 5:30 p.m. Friday at the Wheeler Opera House as part of Aspen Filmfest.
stewart@aspentimes.com
Tuesday, September 23, 2008
Cass on NPR!
Did you hear Cass on NPR? She was interviewed by Larry Mantle on Friday, September 19th, 2008, and you can hear it by clicking this link:
http://www.scpr.org/programs/airtalk/listings/2008/09/airtalk_20080915.shtml
(Scroll to the bottom of the page and you will hear her interview!)
Enjoy!
http://www.scpr.org/programs/airtalk/listings/2008/09/airtalk_20080915.shtml
(Scroll to the bottom of the page and you will hear her interview!)
Enjoy!
Monday, September 8, 2008
THE BROTHERS WARNER, AN AMERICAN MASTERS PRESENTATION
THE BROTHERS WARNER,
AN AMERICAN MASTERS PRESENTATION
Thursday, September 25, 2008
10:00-11:00 p.m. ET
– Intimate Look at the Men Behind the Lights, Cameras and Action of the Warner Bros. Studio; Film By Harry Warner’s Granddaughter Includes Home Movies, Rare Footage and Recollections From Family And Colleagues –
Harry, the little-known major player. Albert, the “Honest Abe.” Visionary Sam. Volatile Jack. Together, this band of brothers started a movie business that revolutionized Hollywood. They did this with no education, a lot of chutzpah and the belief that if they were told they couldn’t do something, they knew they were on the right track. Their history unfolds in THE BROTHERS WARNER, AN AMERICAN MASTERS PRESENTATION, airing Thursday, September 25, 10:00-11:00 p.m. ET on PBS (check local listings).
“I was riveted by this story,” said Susan Lacy, creator and executive producer of AMERICAN MASTERS. “It’s a wonderful, intimate, deeply interesting film about the actual Warner brothers, illuminating the personal history behind the studio. It beautifully dovetails with our other AMERICAN MASTERS presentation, ‘You Must Remember This: The Warner Bros. Story’.”
Narrated by filmmaker and author Cass Warner Sperling (Harry Warner’s granddaughter), the film gives an insider look at the four original Hollywood independent filmmakers, their disparate personalities and their canny business sense. Industry icons Norman Lear and Roy Disney Jr.; actors Dennis Hopper, Debbie Reynolds, Angie Dickinson and George Segal; film historians,; and family members all contribute to this extraordinary story.
Old footage, family photos and personal documents trace the brothers’ scrappy rise to fortune from their meager immigrant beginnings as working-class Russian Jews. The personal tragedies and professional battles they overcame are an integral part of the story. From opening their first storefront theater by hanging a sheet on the wall and borrowing chairs from a local funeral parlor in 1907, these four brothers built an empire on a dream, transformed Hollywood and created one of the top studios in America.
“THE BROTHERS WARNER is a well-made, fascinating documentary,” said Barry Meyer, chairman & CEO, Warner Bros. “Cass has not only honored her grandfather’s legacy with this work, she’s also paid homage to one of the guiding principles of the four Warner brothers who founded the studio by producing a film that will educate, entertain and enlighten audiences.”
Underwriters: National Endowment for the Arts, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Jack Rudin, The André and Elizabeth Kertész Foundation, Public Television Viewers, PBS and Corporation for Public Broadcasting. Producer: Warner Sisters. Producer/director/writer: Cass Warner Sperling. AMERICAN MASTERS producer: Thirteen/WNET New York. Creator and executive producer: Susan Lacy. Format: CC Stereo Letterbox/HD-Upconverted where available. Online: pbs.org
– PBS –
CONTACT: Donald Lee, Thirteen/WNET, Tel.: 212-560-3005; leed@thirteen.org
Donna Williams, Thirteen/WNET, Tel.: 212-560-8030; williamsd@thirteen.org
■ To take AMERICAN MASTERS beyond the television broadcast, the companion Web site (pbs.org/wnet/americanmasters) offers interviews, essays, photographs, outtakes and other resources.
AN AMERICAN MASTERS PRESENTATION
Thursday, September 25, 2008
10:00-11:00 p.m. ET
– Intimate Look at the Men Behind the Lights, Cameras and Action of the Warner Bros. Studio; Film By Harry Warner’s Granddaughter Includes Home Movies, Rare Footage and Recollections From Family And Colleagues –
Harry, the little-known major player. Albert, the “Honest Abe.” Visionary Sam. Volatile Jack. Together, this band of brothers started a movie business that revolutionized Hollywood. They did this with no education, a lot of chutzpah and the belief that if they were told they couldn’t do something, they knew they were on the right track. Their history unfolds in THE BROTHERS WARNER, AN AMERICAN MASTERS PRESENTATION, airing Thursday, September 25, 10:00-11:00 p.m. ET on PBS (check local listings).
“I was riveted by this story,” said Susan Lacy, creator and executive producer of AMERICAN MASTERS. “It’s a wonderful, intimate, deeply interesting film about the actual Warner brothers, illuminating the personal history behind the studio. It beautifully dovetails with our other AMERICAN MASTERS presentation, ‘You Must Remember This: The Warner Bros. Story’.”
Narrated by filmmaker and author Cass Warner Sperling (Harry Warner’s granddaughter), the film gives an insider look at the four original Hollywood independent filmmakers, their disparate personalities and their canny business sense. Industry icons Norman Lear and Roy Disney Jr.; actors Dennis Hopper, Debbie Reynolds, Angie Dickinson and George Segal; film historians,; and family members all contribute to this extraordinary story.
Old footage, family photos and personal documents trace the brothers’ scrappy rise to fortune from their meager immigrant beginnings as working-class Russian Jews. The personal tragedies and professional battles they overcame are an integral part of the story. From opening their first storefront theater by hanging a sheet on the wall and borrowing chairs from a local funeral parlor in 1907, these four brothers built an empire on a dream, transformed Hollywood and created one of the top studios in America.
“THE BROTHERS WARNER is a well-made, fascinating documentary,” said Barry Meyer, chairman & CEO, Warner Bros. “Cass has not only honored her grandfather’s legacy with this work, she’s also paid homage to one of the guiding principles of the four Warner brothers who founded the studio by producing a film that will educate, entertain and enlighten audiences.”
Underwriters: National Endowment for the Arts, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Jack Rudin, The André and Elizabeth Kertész Foundation, Public Television Viewers, PBS and Corporation for Public Broadcasting. Producer: Warner Sisters. Producer/director/writer: Cass Warner Sperling. AMERICAN MASTERS producer: Thirteen/WNET New York. Creator and executive producer: Susan Lacy. Format: CC Stereo Letterbox/HD-Upconverted where available. Online: pbs.org
– PBS –
CONTACT: Donald Lee, Thirteen/WNET, Tel.: 212-560-3005; leed@thirteen.org
Donna Williams, Thirteen/WNET, Tel.: 212-560-8030; williamsd@thirteen.org
■ To take AMERICAN MASTERS beyond the television broadcast, the companion Web site (pbs.org/wnet/americanmasters) offers interviews, essays, photographs, outtakes and other resources.
Monday, September 1, 2008
AT THE END OF THE WINDY ROAD THERE WAS SERENITY
At the end of the windy road, and after what seemed like hours of sisterly squabbles and some carsickness, there was the serenity of grandpa Harry’s ranch waiting for us. We’d start out first thing in the morning and arrive in time for brunch as there was no freeway from where we lived in Los Angeles to the Valley.
Pepper trees lined the mile long driveway leading up the hill where ol’ Prince, the St. Bernard, greeted us with his massive clumsy, furry body and wet kisses.
I had a favorite ritual, which I always made sure I had time to do. After successfully stuffing myself with the usual brunch goodies of lox and bagels, potato pancakes with apple sauce, cole slaw, pickled herring in sour cream and onions, fresh fruit salad, and, of course, most importantly the desserts—poppy seed cake, assorted breakfast rolls, beautifully molded jello, and frosted lemon cake, and getting sufficiently bored with the adult conversation, I’d excuse myself and go and mount my favorite deer.
She rested on her haunches, legs tucked under her starring out at the racetrack, the barn and the gentleman farm below. So what if she was made of metal? That only meant that she would always be in the same place waiting for me. Once I had taken in the panorama and opened all my senses to the familiar smells of sage and California earth, I’d manifest the same gaze that my friend the deer had on her face, and drift off into the comforts of my inquiring mind. I truly felt immortal, definitely privileged, and without borders or boundaries. Reflecting like this became a regular habit for me. It was something I cherished and learned to do well. Having the time to figure things out from my observations became routine for me. By the time I had indulged in this form of personal dessert, my food had digested so that I could get permission to swim.
The pool overlooked the expanse of the land below, as it bordered on the edge of a knoll that the ranch house sat on. It had a large shallow end, so us short folks could keep our heads above water if we wanted to stand. By the time I climbed out, the skin on my hands were especially white and shriveled. I’d pretend to be an old lady monster and try and scare my little brother.
The mention of going to the stables with Grandpa to go riding assisted greatly in getting us out of the pool. Grandpa’s pride came shining through as he walked us down the hill pointing things out as he went, and giving us a tour of the sleek race horses in their immaculate stalls. Sometimes, he'd drive us down on the tractor. He’d stick around and make sure that we learned to stay in the saddle by gently yelling instructions as we trotted around him on old nags that were always saddled up and waiting.
I’ll never forget how honored I felt when Grandpa showed me a prize colt and told me he had named her after me. She was the most beautiful creature I had ever seen. Putting his arm around me as we both admired her, he told me that he KNEW she was going to be "a winner"--a moment that remains as vivid as if it happened yesterday, and is a constant reminder of his belief in me.
His love and reverence for Nature and his land became mystical as he proudly showed us what he was growing in his vegetable gardens, how beautiful his prize laying hens were, how the seasons caused the fruit trees to be different during the year, and the comings and goings of the birth and death of his animals. Sharing this mind-set of his was part of the legacy he wanted us to remember. His reward was observing our reactions and the expressions on our faces as we took it all in. His certain, quiet dignity and knowing that the ranch represented so many life lessons that he could demonstrate was an obvious important pleasure for him.
My grandfather, Harry Warner, was the benevolent patriarch of our family as well as Warner Bros. studio, and created a most beautiful, solid foundation on which I stand.
Pepper trees lined the mile long driveway leading up the hill where ol’ Prince, the St. Bernard, greeted us with his massive clumsy, furry body and wet kisses.
I had a favorite ritual, which I always made sure I had time to do. After successfully stuffing myself with the usual brunch goodies of lox and bagels, potato pancakes with apple sauce, cole slaw, pickled herring in sour cream and onions, fresh fruit salad, and, of course, most importantly the desserts—poppy seed cake, assorted breakfast rolls, beautifully molded jello, and frosted lemon cake, and getting sufficiently bored with the adult conversation, I’d excuse myself and go and mount my favorite deer.
She rested on her haunches, legs tucked under her starring out at the racetrack, the barn and the gentleman farm below. So what if she was made of metal? That only meant that she would always be in the same place waiting for me. Once I had taken in the panorama and opened all my senses to the familiar smells of sage and California earth, I’d manifest the same gaze that my friend the deer had on her face, and drift off into the comforts of my inquiring mind. I truly felt immortal, definitely privileged, and without borders or boundaries. Reflecting like this became a regular habit for me. It was something I cherished and learned to do well. Having the time to figure things out from my observations became routine for me. By the time I had indulged in this form of personal dessert, my food had digested so that I could get permission to swim.
The pool overlooked the expanse of the land below, as it bordered on the edge of a knoll that the ranch house sat on. It had a large shallow end, so us short folks could keep our heads above water if we wanted to stand. By the time I climbed out, the skin on my hands were especially white and shriveled. I’d pretend to be an old lady monster and try and scare my little brother.
The mention of going to the stables with Grandpa to go riding assisted greatly in getting us out of the pool. Grandpa’s pride came shining through as he walked us down the hill pointing things out as he went, and giving us a tour of the sleek race horses in their immaculate stalls. Sometimes, he'd drive us down on the tractor. He’d stick around and make sure that we learned to stay in the saddle by gently yelling instructions as we trotted around him on old nags that were always saddled up and waiting.
I’ll never forget how honored I felt when Grandpa showed me a prize colt and told me he had named her after me. She was the most beautiful creature I had ever seen. Putting his arm around me as we both admired her, he told me that he KNEW she was going to be "a winner"--a moment that remains as vivid as if it happened yesterday, and is a constant reminder of his belief in me.
His love and reverence for Nature and his land became mystical as he proudly showed us what he was growing in his vegetable gardens, how beautiful his prize laying hens were, how the seasons caused the fruit trees to be different during the year, and the comings and goings of the birth and death of his animals. Sharing this mind-set of his was part of the legacy he wanted us to remember. His reward was observing our reactions and the expressions on our faces as we took it all in. His certain, quiet dignity and knowing that the ranch represented so many life lessons that he could demonstrate was an obvious important pleasure for him.
My grandfather, Harry Warner, was the benevolent patriarch of our family as well as Warner Bros. studio, and created a most beautiful, solid foundation on which I stand.
Saturday, August 30, 2008
Aspen Filmfest reels 'em in - Aspen Times Staff Report
ASPEN — Aspen Film has announced the partial program for next month’s Filmfest. The 30th annual festival, with American features, documentaries, international movies and special events, is set for Sept. 24-28, with events in Aspen and Carbondale.
The opening night film is “Flash of Genius,” the first feature by director Marc Abraham. Based on a true story, the film stars Greg Kinnear as an inventor trying to win back the rights to his invention, for the intermittent windshield wiper, from a car manufacturer.
Aspenite Lita Heller will be honored with a new Aspen Film award for community service to the arts. The award ceremony will be held in conjunction with a screening of the documentary “The Brothers Warner,” a look at the four siblings who founded the Warner Bros. studio. Director Cass Warner, granddaughter of movie mogul Harry Warner, is scheduled to attend.
Commemorating the 45th anniversary of “Peter Pan,” Filmfest will show the classic in its family-oriented segment. The screening will be an exclusive Colorado engagement, and will feature a new print.
Also in the features category is “Ballast,” a comic-drama about a broken family in the Mississippi Delta that earned Lance Hammer the best director award at Sundance. Foreign titles include “Teddy Bear,” by Czech director Jan Hrebejk; “Lemon Tree, an Israeli film that earned the Audience Award at the Berlin Film Festival; another Israeli film, “Waltz with Bashir,” a documentary of soldiers recalling the 1982 war in Lebanon; and the French drama “I’ve Loved You So Long,” starring Kristin Scott Thomas as a woman reunited with her family.
Documentaries include “Crimes Against Nature,” based on Robert Kennedy Jr.’s book about the Bush administration’s record on the environment; “Pray the Devil Back to Hell,” about the women’s movement in Liberia; and “Stranded,” with survivors of a 1972 plane crash in the Andes recalling their experience.
Filmfest tickets go on sale Sept. 15. For further information, go to aspenfilm.org.
The opening night film is “Flash of Genius,” the first feature by director Marc Abraham. Based on a true story, the film stars Greg Kinnear as an inventor trying to win back the rights to his invention, for the intermittent windshield wiper, from a car manufacturer.
Aspenite Lita Heller will be honored with a new Aspen Film award for community service to the arts. The award ceremony will be held in conjunction with a screening of the documentary “The Brothers Warner,” a look at the four siblings who founded the Warner Bros. studio. Director Cass Warner, granddaughter of movie mogul Harry Warner, is scheduled to attend.
Commemorating the 45th anniversary of “Peter Pan,” Filmfest will show the classic in its family-oriented segment. The screening will be an exclusive Colorado engagement, and will feature a new print.
Also in the features category is “Ballast,” a comic-drama about a broken family in the Mississippi Delta that earned Lance Hammer the best director award at Sundance. Foreign titles include “Teddy Bear,” by Czech director Jan Hrebejk; “Lemon Tree, an Israeli film that earned the Audience Award at the Berlin Film Festival; another Israeli film, “Waltz with Bashir,” a documentary of soldiers recalling the 1982 war in Lebanon; and the French drama “I’ve Loved You So Long,” starring Kristin Scott Thomas as a woman reunited with her family.
Documentaries include “Crimes Against Nature,” based on Robert Kennedy Jr.’s book about the Bush administration’s record on the environment; “Pray the Devil Back to Hell,” about the women’s movement in Liberia; and “Stranded,” with survivors of a 1972 plane crash in the Andes recalling their experience.
Filmfest tickets go on sale Sept. 15. For further information, go to aspenfilm.org.
Aspen Filmfest reels ‘em in - Vail Daily News - Vail,CO
ASPEN — After yet another summer of superheroes, super-villains and characters plucked from television’s past, Aspen Filmfest arrives — at the speed of light, in the nick of time, to save the day!
Aspen Film’s annual fall festival, set for Sept. 24-28, scales things back to human size. “It sounds like a cliché — but it’s ordinary people doing extraordinary things,” said Laura Thielen, executive director of Aspen Film. “Whether they’re documentaries or features, it’s normal people doing things that are kind of extraordinary.”
The festival takes no time getting to that theme. The opening night film is “Flash of Genius,” a feature based on the true story of Bob Kearns, an inventor whose signature creation, the intermittant windshield wiper, has been swiped by a Detroit automaker. In a performance that Thielen says has lready generated Oscar buzz, Greg Kinnear stars as the little guy who takes on the U.S. auto industry in an effort to get his due. The film, by first-time feature director Marc Abraham, co-stars Alan Alda and Dermot Mulroney.
On the documentary side are several films that have regular people making tremendous achievments, or facing extraordinary circumstances.
In the former category is “Pray the Devil Back to Hell,” director Virginia Reticker’s look at how an improbable women’s movement brought enormous political changes to Liberia; and “Pressure Cooker,” the story of a culinary program in a run-down Philadelphia high school that has yielded impressive results for its participants. (The film’s co-directors, Mark Becker and Jennifer Grausman, are both expected to be in attendance.)
In the category of people dropped into extraordinary circumstances is “Stranded,” a documentary about the Uruguayan rugby team whose plane crashed in the Andes in 1972. The film features survivors recounting for the first time in public about their experience.
Additional documentaries include the U.S. premiere of director Angus Yates’ “Crimes Against Nature,” based on Robert Kennedy, Jr.’s book about the Bush administration’s dismantling of the Environmental Protection Agency; and “The Brothers Warner,” the story of the four siblings who founded the Warner Bros. movie studio, as told by Cass Warner, granddaughter of mogul Harry Warner.
Among the features that tell human-scale tales is “Ballast,” a drama set in the Mississippi Delta about how a suicide ultimately brings a broken family back together. The film earned a best director award at the Sundance Festival for Lance Hammer in his first feature-length effort.
A handful of foreign language films also focus on real-life issues and stories. The French drama “I’ve Loved You So Long” stars Kristin Scott Thomas as a woman trying to reconnect with her family, and herself, after a long prison term. “Waltz with Bashir” and “Lemon Tree” are Israeli films that put the country’s political issues — the 1982 occupation of Lebanon in the former, and the conflict with the Palestinians in the latter — into human perspective. “Lemon Tree” earned the Audience Award at the Berlin Film Festival; “Waltz with Bashir” was well-received after premiering at the Cannes Film Festival. “Teddy Bear” is a comedy/drama about three couples in their 30s; the film is by Czech director Jan Hrebejk, whose last film, “Beauty in Trouble,” showed at last year’s Filmfest.
Amidst all the real-life tales is one very big fantasy: “Peter Pan.” Filmfest will have an exclusive Colorado screening, from a new print, in honor of the film’s 45th anniversary. The 1953 classic hasn’t been featured on the big screen in over 20 years.
Stewart Oksenhorn
Vail CO, Colorado
Aspen Film’s annual fall festival, set for Sept. 24-28, scales things back to human size. “It sounds like a cliché — but it’s ordinary people doing extraordinary things,” said Laura Thielen, executive director of Aspen Film. “Whether they’re documentaries or features, it’s normal people doing things that are kind of extraordinary.”
The festival takes no time getting to that theme. The opening night film is “Flash of Genius,” a feature based on the true story of Bob Kearns, an inventor whose signature creation, the intermittant windshield wiper, has been swiped by a Detroit automaker. In a performance that Thielen says has lready generated Oscar buzz, Greg Kinnear stars as the little guy who takes on the U.S. auto industry in an effort to get his due. The film, by first-time feature director Marc Abraham, co-stars Alan Alda and Dermot Mulroney.
On the documentary side are several films that have regular people making tremendous achievments, or facing extraordinary circumstances.
In the former category is “Pray the Devil Back to Hell,” director Virginia Reticker’s look at how an improbable women’s movement brought enormous political changes to Liberia; and “Pressure Cooker,” the story of a culinary program in a run-down Philadelphia high school that has yielded impressive results for its participants. (The film’s co-directors, Mark Becker and Jennifer Grausman, are both expected to be in attendance.)
In the category of people dropped into extraordinary circumstances is “Stranded,” a documentary about the Uruguayan rugby team whose plane crashed in the Andes in 1972. The film features survivors recounting for the first time in public about their experience.
Additional documentaries include the U.S. premiere of director Angus Yates’ “Crimes Against Nature,” based on Robert Kennedy, Jr.’s book about the Bush administration’s dismantling of the Environmental Protection Agency; and “The Brothers Warner,” the story of the four siblings who founded the Warner Bros. movie studio, as told by Cass Warner, granddaughter of mogul Harry Warner.
Among the features that tell human-scale tales is “Ballast,” a drama set in the Mississippi Delta about how a suicide ultimately brings a broken family back together. The film earned a best director award at the Sundance Festival for Lance Hammer in his first feature-length effort.
A handful of foreign language films also focus on real-life issues and stories. The French drama “I’ve Loved You So Long” stars Kristin Scott Thomas as a woman trying to reconnect with her family, and herself, after a long prison term. “Waltz with Bashir” and “Lemon Tree” are Israeli films that put the country’s political issues — the 1982 occupation of Lebanon in the former, and the conflict with the Palestinians in the latter — into human perspective. “Lemon Tree” earned the Audience Award at the Berlin Film Festival; “Waltz with Bashir” was well-received after premiering at the Cannes Film Festival. “Teddy Bear” is a comedy/drama about three couples in their 30s; the film is by Czech director Jan Hrebejk, whose last film, “Beauty in Trouble,” showed at last year’s Filmfest.
Amidst all the real-life tales is one very big fantasy: “Peter Pan.” Filmfest will have an exclusive Colorado screening, from a new print, in honor of the film’s 45th anniversary. The 1953 classic hasn’t been featured on the big screen in over 20 years.
Stewart Oksenhorn
Vail CO, Colorado
A Promise Kept – Granddaughter Carries on the Warner Brothers Legacy
“It was an especially hot day at my summer camp. As I stood listening to my father on the phone tell me Grandpa Harry "passed on", a thud happened in my universe. I could feel myself grabbing for fond memories that were turning from color to black and white without the presence of my grandfather in them.
The last time I saw him flashed into my mind: He lay on a perfectly starched bed in an anti-septic smelling bedroom. A mysterious force drew me to him as if he were a candle in the dark. It was a gentle force. His eyes were opened and moved to take me in. A slight smile came across his lips. I watched his hand start to slowly move across the sheet toward mine. My hand immediately wrapped around his. The enormously kind look in his eyes embraced me as it always did. I felt his grip strengthen transmitting and sealing an important request—something of great importance was being entrusted to me. I squeezed back. A promise was made!” -Cass Warner Sperling
THE BROTHERS WARNER a feature-length documentary written and directed by Harry Warner’s granddaughter, Cass Warner Sperling, and produced by her production company, Warner Sisters is a completion of a promise to herself and her grandfather. It's an intimate portrait of the four brothers who pioneered the film industry--an ultimate rags-to-riches story of a family run business and the challenges they overcame to create a major studio with a social conscience.
Barry Meyer, Chairman and CEO of Warner Bros. recently screened THE BROTHERS WARNER. In his own words, “THE BROTHERS WARNER is a well-made, fascinating documentary. Cass has not only honored her grandfather’s legacy with this work, she’s also paid homage to one of the guiding principles of the four Warner brothers who founded the studio by producing a film that will educate, entertain and enlighten audiences.”
The film is based on the family biography, THE BROTHERS WARNER, a book written by Ms. Warner. A special 85th anniversary edition is now available on Amazon.com with twice as many photos and a new introduction, and a pre-released copy of the film is available on DVD on Warner Sisters' website.
The last time I saw him flashed into my mind: He lay on a perfectly starched bed in an anti-septic smelling bedroom. A mysterious force drew me to him as if he were a candle in the dark. It was a gentle force. His eyes were opened and moved to take me in. A slight smile came across his lips. I watched his hand start to slowly move across the sheet toward mine. My hand immediately wrapped around his. The enormously kind look in his eyes embraced me as it always did. I felt his grip strengthen transmitting and sealing an important request—something of great importance was being entrusted to me. I squeezed back. A promise was made!” -Cass Warner Sperling
THE BROTHERS WARNER a feature-length documentary written and directed by Harry Warner’s granddaughter, Cass Warner Sperling, and produced by her production company, Warner Sisters is a completion of a promise to herself and her grandfather. It's an intimate portrait of the four brothers who pioneered the film industry--an ultimate rags-to-riches story of a family run business and the challenges they overcame to create a major studio with a social conscience.
Barry Meyer, Chairman and CEO of Warner Bros. recently screened THE BROTHERS WARNER. In his own words, “THE BROTHERS WARNER is a well-made, fascinating documentary. Cass has not only honored her grandfather’s legacy with this work, she’s also paid homage to one of the guiding principles of the four Warner brothers who founded the studio by producing a film that will educate, entertain and enlighten audiences.”
The film is based on the family biography, THE BROTHERS WARNER, a book written by Ms. Warner. A special 85th anniversary edition is now available on Amazon.com with twice as many photos and a new introduction, and a pre-released copy of the film is available on DVD on Warner Sisters' website.
Tuesday, April 29, 2008
MIP TV Debut, April 7-11, Planned
NEW DOCUMENTARY: “THE BROTHERS WARNER,” BY FILMMAKER AND GRANDDAUGHTER, CASS WARNER TELLS HER FAMILY DYNASTY’S STORY, BOTH THE GRAND AND THE GRIM!
A band of brothers who rose from immigrant poverty through personal tragedies, persevering to create a major studio with a social conscience
(Los Angeles, Calif., March 25, 2008)--- Warner Brothers was the only family owned and operated studio in Hollywood and today the studio the brothers created 85 years ago remains a giant player in the entertainment industry.
But behind the power of “Casablanca” and reels of Bugs Bunny cartoon classics is an epic saga, the family’s dramatic life story, as told by an insider, Cass Warner, filmmaker and granddaughter of Harry Warner, in a new, 90-minute documentary, “The Brothers Warner,” set to debut April 7th at MIP TV in Cannes.
The Warner Bros. (Harry, Sam, Albert and Jack) started in the picture business in 1903 as exhibitors, showing movies on a bed sheet in Pittsburgh.
By 1918, they were able to open their first studio on Sunset Blvd. in Hollywood, a few miles from the current location in Burbank.
Their father, Ben, mandated to them when they were children, “As long as you stand together, you will be strong.”
This is an intimate tale that reads like a Greek tragedy of four brothers who created and ran the studio for over 50 years and the disintegration of their relationship, culminating in the subsequent sale of the studio.
Featuring numerous, never before seen images and private movies from the Warner family archives and interviews with Warner luminaries and peers, such as Dennis Hopper, Debbie Reynolds, Norman Lear and Samuel Goldwyn, Jr., “The Brothers Warner” is the first ever film produced by a Hollywood film family member about her own clan’s studio dynasty.
Reaching way beyond the usual studio tributes of film clips and glossy remarks, “The Brothers Warner,” years in the making and based on Cass Warner’s book, “Hollywood Be Thy Name: The Warner Brothers Story,” peeks behind the curtain and shows the true character of the people who created the Hollywood legacy and mystique.
“For me this documentary is the fulfillment of something special entrusted to me to tell,” says Warner.
Worldwide distribution will be handled by industry veteran Glenn Aveni, whose company Icon Television Music, Inc. will be at MIP TV (stand #15.30). To inquire for rights acquisitions please call (818) 385 0200 x117.
Websites: www.warnersisters.com; www.icontvmusic.com.
###
A band of brothers who rose from immigrant poverty through personal tragedies, persevering to create a major studio with a social conscience
(Los Angeles, Calif., March 25, 2008)--- Warner Brothers was the only family owned and operated studio in Hollywood and today the studio the brothers created 85 years ago remains a giant player in the entertainment industry.
But behind the power of “Casablanca” and reels of Bugs Bunny cartoon classics is an epic saga, the family’s dramatic life story, as told by an insider, Cass Warner, filmmaker and granddaughter of Harry Warner, in a new, 90-minute documentary, “The Brothers Warner,” set to debut April 7th at MIP TV in Cannes.
The Warner Bros. (Harry, Sam, Albert and Jack) started in the picture business in 1903 as exhibitors, showing movies on a bed sheet in Pittsburgh.
By 1918, they were able to open their first studio on Sunset Blvd. in Hollywood, a few miles from the current location in Burbank.
Their father, Ben, mandated to them when they were children, “As long as you stand together, you will be strong.”
This is an intimate tale that reads like a Greek tragedy of four brothers who created and ran the studio for over 50 years and the disintegration of their relationship, culminating in the subsequent sale of the studio.
Featuring numerous, never before seen images and private movies from the Warner family archives and interviews with Warner luminaries and peers, such as Dennis Hopper, Debbie Reynolds, Norman Lear and Samuel Goldwyn, Jr., “The Brothers Warner” is the first ever film produced by a Hollywood film family member about her own clan’s studio dynasty.
Reaching way beyond the usual studio tributes of film clips and glossy remarks, “The Brothers Warner,” years in the making and based on Cass Warner’s book, “Hollywood Be Thy Name: The Warner Brothers Story,” peeks behind the curtain and shows the true character of the people who created the Hollywood legacy and mystique.
“For me this documentary is the fulfillment of something special entrusted to me to tell,” says Warner.
Worldwide distribution will be handled by industry veteran Glenn Aveni, whose company Icon Television Music, Inc. will be at MIP TV (stand #15.30). To inquire for rights acquisitions please call (818) 385 0200 x117.
Websites: www.warnersisters.com; www.icontvmusic.com.
###
Wednesday, September 5, 2007
GET INVOLVED! Find out how YOU can be a part of bringing Hollywood history to life!
Cass Warner is currently in postproduction on THE BROTHERS WARNER, her long-in-the-making feature documentary that puts a new and personal spin on the fascinating Hollywood legacies of her family. You can support this effort with a tax deductible donation through the 501c3 non-profit Fiscal Sponsorship of the International Documentary Association (IDA). Please know that Cass and her collaborators appreciate your help in getting the film finished in time for the 85th anniversary of the studio's founding in 2008 - so we're happy to include your name as a thank you in the credits of the film.To make a donation please click here.
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